Robert J. Sawyer

Hugo and Nebula Award-Winning Science Fiction Writer

Amazon has not backed down; Times and Post are wrong

by Rob - February 4th, 2010

First The New York Times and now The Washington Post have reported that Amazon gave into Macmillan’s demands, and it’s been flashing all over the web that this is the case for four days now.

But check the source. The only reference is to this unsigned anonymous post buried deep on the Amazon.com site; that’s the one and only bit of evidence to support the belief that Amazon has changed its tune.

The reality is that there’s been NO public surrender by Amazon.com, NO change in their policy, and NO announcement by Amazon CEO Jeff Bezos, and, as of right now, Macmillan books are still not for sale in either electronic or paper editions from Amazon.com.

How much weight should we give to the anonymous blog post cited above? Here’s a test. Go to the Amazon.com main page, and try to follow a chain of links to get to that supposedly big, important, game-changing public announcement. Go ahead, try. You’ll never find it.

Amazon is based in Washington state. That unsigned blog post went up at 2:22 on a Sunday afternoon Pacific time, when no one in real authority was likely in the building. It’s either a case of some clueless eager beaver deep in the bowels of the Amazon.com hierarchy speaking up when he had no authority to do so, or — if you want to take a more sinister approach — a brilliant bit of misdirection, knowing that the little posting would go viral (and then be picked up by lazy old-media reporters), and so any planned boycott or collective action by customers or authors against Amazon would dissipate, with everyone saying, “Whew, glad that’s over!”

But it isn’t. Nothing has changed in the standoff. The books are still off-sale, Amazon has reached no agreement with Macmillan, and authors are getting hurt.

Robert J. Sawyer online:
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DAW is the new Tor

by Rob - February 4th, 2010

Used to be, back in the day, if you wanted to buy science fiction and fantasy by Canadian authors, you turned to Tor Books: they had tons of Canadian authors on their lists: Charles de Lint, Candas Jane Dorsey, Ed Greenwood, Phyllis Gotlieb, Terence M. Green, Matthew Hughes, Karl Schroeder, Robert J. Sawyer, Robert Charles Wilson, Peter Watts, and more. A few of those are still doing new books with Tor, but it certainly can no longer be called the go-to house for Canadian SF&F.

DAW, on the other hand, has been quietly building a major list of Canadian authors, including Julie E. Czerneda, Tanya Huff, Fiona Patton, Michelle West, Edward Willett (last year’s winner of the long-form English Aurora Award), and more. And DAW’s on-going commitment to original short-fiction anthologies has provided the home for many a story that has gone on to be nominated for an Aurora Award (and has produced four Aurora winners).

And so it’s wonderfully appropriate that Keycon 26, which has been designated this year’s Canadian National Science Fiction Convention, has just announced DAW’s Sheila Gilbert as its Editor Guest of Honour. Not only is Sheila a terrific person and a terrific editor, but she’s done an enormous amount for Canadian science fiction and fantasy authors.

Robert J. Sawyer online:
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Hot New Models

by Rob - February 3rd, 2010

I suggested to the coordinator for this conference that she stop using that subject line in emails — I thought it was a come-on for a porn site! But it isn’t. It’s the title of the 2010 Book Summit coming up in Toronto. The full name is: “Hot New Models: the amazing transformation of business and culture in the world of books.” The event will take place at Harbourfront Centre in Toronto on Friday, June 18 2010.

I”m thrilled to be the only author (as opposed to publisher, editor, or agent) invited to give a solo presentation at this event. I’ll be presenting this 75-minute workshop from 1:30 to 2:45 p.m.; I’ll put up registration details when I have them:

The 21st Century Author
Robert J. Sawyer

Today’s savvy authors are taking the lead in building their personal brands through social media, their own touring, and other initiatives; they’re also increasingly marketing themselves as media pundits and keynote speakers, all in service of generating buzz for their books.

Bestselling novelist Robert J. Sawyer (whose FlashForward is the basis for the ABC TV series) was the first science-fiction author in the world to have a website, pioneered the notion of giving away sample chapters online, and has been blogging since before the word was invented. Join him for a case-study analysis of what works and what doesn’t for writers in the 21st century — and a spirited discussion of whether authors will continue to need traditional publishers.

“Hot New Models” is presented by Humber College and the Book and Periodical Council in association with Authors at Harbourfront Centre; my workshop is sponsored by Simon & Schuster Canada.

Robert J. Sawyer online:
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Wake review roundup

by Rob - February 3rd, 2010


Since we’re in the thick of Hugo, Nebula, and Aurora Award-nominating season, forgive me for this roundup of reviews of my 2009 novel Wake (published in the US by Ace as WWW: Wake).


“The thought-provoking first installment of Sawyer’s WWW trilogy explores the origins and emergence of consciousness. The thematic diversity — and profundity — makes this one of Sawyer’s strongest works to date.” —Publishers Weekly (starred review, denoting a book of exceptional merit)


“Extremely well written and complex making Tron look like pre-school, this is a terrific first tale in what looks like will be a great trilogy.” —Alternative-Worlds.com


Wake was serialized in Analog recently; those who read it in these pages don’t need me to tell them what a good book it is.

“For many years now, Robert J. Sawyer has been turning out imaginative, thought-provoking science fiction novels set in the present day and dealing with the impact of science and technology upon relatively ordinary people. A typical Sawyer tale brings together multiple diverse elements from popular culture, psychology, physics, and philosophy; stirs together plausible advances in science with appealing characters; adds some realistic depictions of actual scientists at work and a generous helping of old-fashioned sense-of-wonder; and filters the whole mix through a distinctly Canadian filter. Wake is no exception.

“Caitlin is an appealing enough character, and the premise is fascinating: a girl, blind from birth, gains the ability to see the structure of the Internet from within. A lesser writer would go with this story, following Caitlin as she learns to deal with this new, expanded world. But this is Sawyer, and there’s much, much more going on.

“Along the way, Sawyer raises fascinating, complex questions about the nature of consciousness and self-awareness, of communication between disparate intelligences, and compassion across huge gulfs. This is a book that you’ll still be thinking about for weeks after you finish reading it.” —Analog Science Fiction and Fact


Wake provides a refreshing intersect of science and real life, of consciousness and perception, of imagination and potential. Sawyer puts the science back in science fiction and does it with panache.” —Bitten by Books


“Sawyer’s take on theories about the origin of consciousness, generated within the framework of an engaging story, is fascinating, and his approach to machine consciousness and the Internet is surprisingly fresh.” —Booklist


“A very entertaining read. Sawyer has written a pretty fast paced novel with Wake. Deceptively so in fact. Although it does not slow the story down he has packed the text with references to developments in information technology, mathematics, physics, linguistics and a number of other fields. Parts of the novel read like Oliver Sacks writing science fiction.” —Bookspot Central


“While this is clearly a novel of big ideas, the author never neglects the individual characters. Caitlin, her parents, Dr. Kuroda, and even the kids at school all seem very realistic. Allowing us to follow Caitlin’s story from her point of view works perfectly. She’s a teenager, so she’s moody and very human; but she’s a very smart girl, applying knowledge to new situations and grasping abstract concepts with relative ease. She’s a great character, with flaws and a sense of humor.” —CA Reviews


“I shouldn’t be shocked that Sawyer has done has homework and is able to predict things that could happen in the near future. He’s had a long, distinguished career of doing just that and his new novels are always those I look forward to reading next. Wake is no exception.

“While the book is full of big ideas, those ideas are grounded in identifiable characters. The main focus of the story is Catlin and her journey from lack of sight to her new ability to see. Sawyer ably puts the reader inside the mind and experience of Catlin, making us see how she works within the world while being blind and how she must learn to adapt to a world where she can see. Catlin’s story will have you feeling her joy, her frustration and her curious nature in how she relates to the world.” —The Dragon Page


“I love the fact that Robert J. Sawyer is smarter than me. There is a breadth to his concepts and ideas in his latest novel,

Wake, that is exhilarating, if not exhausting. In the hands of a less skilled and less focused author, it would be like tab-surfing Wikipedia. Wake, however, is an engrossing, fascinating and, yes, challenging novel to read. Wake has more great and intriguing ideas, philosophies and concepts interwoven throughout the plot than should be allowed in a single novel.

Wake is founded on theories that communication, in any form, is not just a way of sharing information, but is the central construct for all education, for true emancipation as well as the vehicle of all empathy and understanding. This is why Sawyer’s Wake succeeds; his unabashed optimism and hope for a shared future that is no longer bound and tethered by tyranny, petty opportunism and fear.” —FFWD, aka Fast Forward Weekly (Calgary, Alberta)


Wake by Robert J. Sawyer is another delight from the pen of an author who knows how to romp through the kind of speculation which makes science fiction most fun. Definitely give this one a try.” —Fort Morgan Times (Colorado)


“Robert J. Sawyer’s books are for me among a select group. When there’s a new Robert J. Sawyer book available, all other leisure activities go on hold until it’s read. Robert J. Sawyer writes science fiction that makes you think. His books often tackle the philosophical questions of our time, and the philosophical questions we may need to confront at a future time.

“The main human character in [Wake] is Caitlin Decter. She’s 15, a mathematics wizard, a frequent blogger on her LiveJournal &#151 and a blind user of JAWS. It’s rare to find novels where the main character is blind, let alone when where the research has clearly been so meticulous.” — Jonathan Mosen, Vice-President of Blindness Hardware Product Management, Freedom Scientific [makers of JAWS]


Wake often feels like a counterargument, both in style and content, to Neuromancer. One hopes that the next two volumes will step out of Gibson’s long, dark shadow and build on the solid foundation laid in the first book. If Sawyer succeeds in this, the final nail will be hammered into Cyberpunk’s coffin and the world will have a new way to write about the Internet. … Wake is a major work by one of SF’s heavyweights.

“Reading this book feels like watching a magic trick. Sawyer starts with a few pieces of string, shows you what’s up his sleeves — nothing — and then starts tying them together. He steps back, gives the ropes a good yank and — Ta-Da — you have a tidy knot in the shape of a brain.

“The literati could very well be, to a person, too bloody stupid to see any of this. They seem to think that a tight plot construction and a clear prose style are inartistic. Sawyer gets a lot of well-deserved respect as a storyteller and as a science pundit but not enough as a prose stylist. It should not be overlooked that he is a science fiction writer. Sawyer attacks the novel from different points of view, using different styles and narrative tools; creates suspense while never employing an antagonist, tells history through a symbolic representation of consciousness and creates a character out of nothing. He does all of this so well and layers in so much page-turning, forward thrust, that the extent of his style is invisible.” —The Grumpy Owl


“Robert J. Sawyer is widely considered one of the most inventive and popular writers in the science fiction genre, and here’s why: he imagines things that are wildly fanciful, and he makes them seem not only plausible, but downright inevitable. Sawyer has a knack for taking realistic characters and plunking them down in stories that might seem far-fetched, if they weren’t so vividly imagined and elegantly told. He’s an excellent storyteller, and you catch him here at his very best.” —Halifax Chronicle-Herald


“Sawyer continues to push the boundaries with his stories of the future made credible. His erudition, eclecticism, and masterly storytelling make this trilogy opener a choice selection.” —Library Journal


Wake is a marvelous story [with] a convincing narrative from the AI perspective. What I like best about this novel is Sawyer’s casual dropping in of various bits of history that I know, and other bits of current fact that I haven’t paid attention to. Eye openers on Chinese politics and insights into research into communicating with chimpanzees make this novel an eclectic reading SF fan’s delight.

“Sawyer’s SF story of an Artificial Intelligence dawning in the World Wide Web has the emotional impact of Buffy fighting demons from another dimension.” —Jacqueline Lichtenberg in The Monthly Aspectarian


Wake is about as good as it gets when it comes to science fiction. In Caitlin, Sawyer has created a likable and sympathetic hero. She’s smart, sure, but also full of sass, which lends itself to some wildly entertaining reading. Sawyer’s combination of writing skill and computing background come together marvelously in this book. The characters are rich and realistic, while the ideas are fresh and fascinating.” —The Maine Edge, Bangor, Maine


“Unforgettable. Impossible to put down.” —Nebula Award-winner Jack McDevitt


“When I am asked what my favourite science fiction novel is, invariably the answer is: `The last one by Robert Sawyer.’ With the publication of Wake,

Rollback must sadly make way for the new title holder. Wake is, in the words of its heroine, made out of awesome.” —McNally Robinson, Canada’s second-largest bookstore chain


“Sawyer’s treatment of the awakening of a consciousness from a man-made construct (in this case the web) coupled with the awe and wonder of a blind person’s journey to sight is brilliant.

“Without revealing the ending, I have to say it had one. So many authors of multi-volume works don’t bother tying up enough of the loose ends to keep the reader satisfied at the end of any but the last volume. When we have to wait at least a year for the next installment, I think the author owes us one. Sawyer came through with a most satisfying ending — not even rushed.

Wake also ends with a perfect last line. But no peeking!” —MostlyFiction Book Reviews


“Sawyer is one of the most successful Canadian writers ever. He has won himself an international readership by reinvigorating the traditions of hard science fiction, following the path of such writers as Isaac Asimov and Robert A. Heinlein in his bold speculations from pure science. Clashes between personalities and ideologies fuel [Wake‘s] plot, but they’re not what the book is about. It’s about how cool science is.

“Sawyer has marshalled a daunting quantity of fact and theory from across scientific disciplines and applied them to a contemporary landscape — with due regard to cultural and political differences, pop culture, history, economics, adolescent yearnings, personal ambition and human frailty.” —National Post


“Sawyer paints a complete portrait of a blind teenage girl, and imagines in detail — from scratch — the inside of a new being. Almost alone among Canadian writers, he tackles the most fundamental questions of who we are and where we might be going — while illuminating where we are now.” —The Ottawa Citizen


“A superb work of day-after-tomorrow science fiction; I enjoyed every page.” —Hugo Award-winner Allen Steele


“From an author who has written many books and has won just about every award a science fiction author can comes one of the most original and fascinating novels to be published in a long time. It’s one of those books that has just as much right to be on a fiction shelf with other literature classics.

“Sawyer has done a fantastic job of researching the science, but also throws in lots of references that any savvy Internet user will recognize, appreciate, and be amused about; as well as putting the readers in the mind of a blind person and how they do the amazing things they do each day.” —Sacramento Book Review


“Sawyer’s fascination with the birth of consciousness and the relationship of consciousness to humanity makes this more than your typical `the machine is alive’ story. Likewise, his compassionate writing lets us avoid the trap of assuming monstrosity in difference. As Caitlin and the consciousness of the Web learn to communicate, readers can easily begin to question what it is that makes us human — and whether or not that is enough to make us special, or just one variation among all consciousness, artificial or natural. Like all great science fiction, Sawyer’s work ultimately stirs up philosophical questions, and Wake is no exception.” —Sacramento News & Review


“A fast-paced and suspenseful story full of surprises and humour.” —The Saskatoon StarPhoenix


Wake is a gripping story with a novel premise and almost flawless execution.” —Science Fiction and Fantasy Insider [Night Owl Reviews]


“Emotionally satisfying and intellectually stimulating. Along with William Gibson’s Neuromancer and Neal Stephenson’s

Snow Crash, Robert J. Sawyer’s Wake presents a unique perspective on information technology. I eagerly await its sequels.” —SFFaudio


“Sawyer is a brand name in the genre and rightfully so. The book [Wake] was very enjoyable; I highly recommend it!” —SFFWorld


“A brilliant look at interspecies communication with some remarkable insights into the future of artificial intelligence; one of Robert Sawyer’s best efforts and one that will open your eyes to new possibilities. He’s likely to score a hit with everyone from Gibson and Stephenson’s crowd to science oriented YA readers of both genders looking for a summer read.” —SFRevu


“I’m impressed. Sawyer’s story-telling style is almost invisible to the reader; he doesn’t get in the way of his own story, and writes short, punchy chapters that keep the reader saying `just one more.’ (It’s the type of book I love when I’ve finished, but hate while I’m reading, because I can’t put it down.) His characters are fully realized, and I always finish his books wanting more.” —SFScope


“Once again, Robert J. Sawyer explores the intersection between big ideas and real people. Here the subject is consciousness and perception — who we are and how we see one another, both literally and figuratively. Thoughtful and engaging, and a great beginning to a fascinating trilogy.” —Hugo Award-winner Robert Charles Wilson


“Now, the idea of a digital intelligence forming online is not a new one, by any means. But I daresay most of the people tackling such a concept automatically assumed, as I always did, that such a being would not only have access to the shared data of the Internet, but the conceptual groundings needed to understand it. And that’s where Robert J. Sawyer turns this into such a fascinating, satisfying piece. In a deliberate parallel to the story of Helen Keller, he tackles the need for building a common base of understanding, before unleashing an education creation upon the Web’s vast storehouse of knowledge.

“More than that, Sawyer is an author who’s not afraid to make his readers think. The topics invoked in this book cover a wide range, from math to theories of intelligence, from what it’s like to be blind, to cutting edge technology. He incorporates the myriad resources available online, including Livejournal, Wikipedia, Google, Project Gutenberg, WordNet, and perhaps the most interesting site of all, Cyc, a real site aimed at codifying knowledge so that anyone, including emerging artificial intelligences, might understand. He ties in Internet topography and offbeat musicians, primate signing and Chinese hackers, and creates a wholly believable set of circumstances spinning out of a world we can as good as reach out to touch. There’s quite a lot to consider, and Sawyer’s good at making it accessible to the average reader.

“Sawyer has delivered another excellent tale.” —SF Site


“It’s refreshing to read a book so deliberately Canadian in a genre dominated by Americans, and it’s easy to see why Sawyer now routinely wins not only Canadian science fiction prizes but also international accolades. His fans won’t be disappointed, and readers picking up his work for the first time will get a good introduction to a writer with a remarkable backlist.” —Winnipeg Free Press


More about Wake


Robert J. Sawyer online:
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Looking for a new blog-hosting tool

by Rob - February 2nd, 2010

My blog is currently hosted by Blogger, which is owned by Google. I use their FTP blogging service so that the URL of my blog can be hooked to my SFWRITER.COM domain: sfwriter.com/blog.htm.

But now Google is eliminating that service — yup, just yanking it, poof, gone. Anybody know of a blogging solution that will let me import my existing entries and put new ones at the same sfwriter.com/blog.htm URL?

Here’s the notice from Google:

Dear FTP user:

You are receiving this e-mail because one or more of your blogs at Blogger.com are set up to publish via FTP. We recently announced a planned shut-down of FTP support on Blogger Buzz (the official Blogger blog), and wanted to make sure you saw the announcement. We will be following up with more information via e-mail in the weeks ahead, and regularly updating a blog dedicated to this service shut-down here: http://blogger-ftp.blogspot.com/.

The full text of the announcement at Blogger Buzz follows.

Last May, we discussed a number of challenges facing[1] Blogger users who relied on FTP to publish their blogs. FTP remains a significant drain on our ability to improve Blogger: only .5% of active blogs are published via FTP — yet the percentage of our engineering resources devoted to supporting FTP vastly exceeds that. On top of this, critical infrastructure that our FTP support relies on at Google will soon become unavailable, which would require that we completely rewrite the code that handles our FTP processing.

Three years ago we launched Custom Domains[2] to give users the simplicity of Blogger, the scalability of Google hosting, and the flexibility of hosting your blog at your own URL. Last year’s post discussed the advantages of custom domains over FTP[3] and addressed a number of reasons users have continued to use FTP publishing. (If you’re interested in reading more about Custom Domains, our Help Center has a good overview[4] of how to use them on your blog.) In evaluating the investment needed to continue supporting FTP, we have decided that we could not justify diverting further engineering resources away from building new features for all users.


For that reason, we are announcing today that we will no longer support FTP publishing in Blogger after March 26, 2010. We realize that this will not necessarily be welcome news for some users, and we are committed to making the transition as seamless as possible. To that end:

    • We are building a migration tool that will walk users through a migration from their current URL to a Blogger-managed URL (either a Custom Domain or a Blogspot URL) that will be available to all users the week of February 22. This tool will handle redirecting traffic from the old URL to the new URL, and will handle the vast majority of situations.
    • We will be providing a dedicated blog[5] and help documentation
    • Blogger team members will also be available to answer questions on the forum, comments on the blog, and in a few scheduled conference calls once the tool is released.

We have a number of big releases planned in 2010. While we recognize that this decision will frustrate some users, we look forward to showing you the many great things on the way. Thanks for using Blogger.

Regards,
Rick Klau
Blogger Product Manager
Google
1600 Amphitheatre Parkway
Mountain View, CA 94043

Let’s hear it for art directors!

by Rob - February 2nd, 2010

I posted this on Lou Anders’s Facebook wall, in a conversation about making sure cover artists get credited, but want to share it here, too:

And let’s not forget the ART DIRECTOR. Rita Frangie, the art director for Ace, has done absolutely amazing design work for me, Joe Haldeman, Allen Steele, Charles Stross, and others, but because she doesn’t blog or party at cons, no one in SF fandom knows her name. But she’s a frickin’ genius.


Robert J. Sawyer online:
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Is it a cop-out that the Neanderthals never had religion?

by Rob - February 2nd, 2010

A minister wrote to me over the weekend to say it was a “cop-out” that my Neanderthals in Hominids and its sequels never had any religion; oh, he could understand a story about a kind of humanity that had turned away from religion, but not one that never had it; he said a lack of religion betrayed a fundamental lack of curiosity about their origins on their part. My reply:

Thank you for your very thoughtful letter.

Indeed, a man of the cloth might say it’s a cop-out to not explain why the Neanderthals don’t have religion and are incapable of the same leap you yourself have taken, but the point I was making was the opposite: the rational position based on looking at the evidence around you is that we’re just here.

It is not a lack of curiosity to say that, and then try to fathom the random mechanisms — from quantum fluctuations in a vacuum to evolution through natural selection — that might have led to that; indeed, the lack of curiosity, if I may be so bold, is in positing some magical cause that requires no other explanation.

That is, rather than asking how do the Neanderthals possibly justify their lack of belief, the books ask how we possibly justify the presence of our belief. :)

Thanks again for taking the time to write me! I really appreciate it.

Robert J. Sawyer online:
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Amazon vs. Macmillan: increasing jeopardy and rising stakes

by Rob - February 2nd, 2010

Last week in Montreal, I gave a talk about how one structures a story. I spoke about how the stakes should get higher and higher with each subsequent plot revelation. This weekend, we encountered a perfect real-life example of that structure:

  • First revelation: my books are no longer on sale at Amazon.com (personal jeopardy)
  • Second revelation: OMG, it’s not just me; all Tor authors have had their books pulled from Amazon.com (people the main character cares about are in jeopardy, too).
  • Third revelation: it’s not just Tor, which is a small operation in the grand scheme of things, but the whole vast Macmillan publishing empire that’s affected (the whole nation is in jeopardy).
  • Fourth revelation: Holy crap, the entire future of the publishing industry is at stake (the whole world is in jeopardy).

The Authors Guild explains it well, in this press release entitled THE RIGHT BATTLE AT THE RIGHT TIME:

February 2, 2010. Macmillan’s current fight with Amazon over e-book business models is a necessary one for the industry. The stakes are high, particularly for Macmillan authors. In a squabble over e-books, Amazon quickly and pre-emptively escalated matters by removing the buy buttons from all Macmillan titles (with some exceptions for scholarly and educational books), in all editions, including all physical book editions. Thousands of authors and titles are affected; hardest and most unfairly hit are authors with new books published by Macmillan that are in their prime sales period.

Yet if Macmillan prevails, the eventual payoff for its authors (and all authors, if a successful result ripples through the industry) is likely to be significant and lasting.

For those of you who may have missed it, here’s the story so far:

Last Thursday, Macmillan CEO John Sargent informed Amazon that beginning in March, it would offer Amazon access to a full range of e-book titles only if Amazon were willing to sell books on an "agency" model that would pay Amazon 30% of e-book proceeds and allow Macmillan to set its own retail price for e-books. (Currently, Amazon buys e-books as a reseller at a discount of 50% off the retail list price and sells at the price it chooses.) Macmillan’s price under its agency model, in many cases, would be higher than the $9.99 ceiling that Amazon has been seeking to impose on the industry.

If Amazon didn’t find the agency model acceptable, Sargent said Macmillan would expand its "windowing" of e-book editions. "Windowing" is the practice of waiting until a particular edition of a new book has been on the market for a while before making cheaper editions available. Publishers have for decades waited until the hardcover sales window has closed before opening the sales window on paperback editions, for example. This helps protect the sales channels for hardcover books. Windowing e-books is similarly believed to help protect a publisher’s sales channels for physical books. The risk with windowing is that some owners of e-book devices are angered that low-priced e-book editions aren’t available as soon as books are released in hardcover form.

This was a bold move by Macmillan. Amazon has a well-deserved reputation for playing hardball. When it doesn’t get its way with publishers, Amazon tends to start removing "buy buttons" from the publisher’s titles. It’s a harsh tactic, by which Amazon uses its dominance of online bookselling to punish publishers who fail to fall in line with Amazon’s business plans. Collateral damage in these scuffles, of course, are authors and readers. Authors lose their access to millions of readers who shop at Amazon; readers find some of their favorite authors’ works unavailable. Generally, the ending is not a good one for the publisher or its authors — Amazon’s hold on the industry, controlling an estimated 75% of online trade book print sales in the U.S., is too strong for a publisher to withstand. The publisher caves, and yet more industry revenues are diverted to Amazon. This isn’t good for those who care about books. Without a healthy ecosystem in publishing, one in which authors and publishers are fairly compensated for their work, the quality and variety of books available to readers will inevitably suffer.

Macmillan’s move is timely because, at the moment, the e-book market is still far smaller than the physical book market, but the e-book market is growing quickly. The longer Macmillan waited, the more difficult the transition.

Amazon didn’t wait for March, when Macmillan’s new policy is slated to go into effect; it decided to hit Macmillan immediately and comprehensively, removing the buy buttons for nearly all Macmillan titles, in all editions. This is a direct attempt to use its clout in the physical book industry to enforce its business model in the e-book industry. In some ways, it was an unusual exercise of power for Amazon. The company has used the tactic of turning off buy buttons on several occasions before, but, with major publishers it’s usually selective, and doesn’t turn out the lights on nearly all titles. That treatment is reserved for smaller publishers. (Authors receive no advance warning of Amazon’s treatment of their titles, nor can they do anything about it.)

Amazon, it appears, overreached. Macmillan was a bit too big a foe, and Amazon’s bullying tactics were a bit too blatant. (For a flavor of media reaction, see this story in Fast Company.)

Sunday evening, Amazon announced that it would have to "capitulate" to Macmillan, "because Macmillan has a monopoly over its own titles." (By this definition, nearly every company exercises a monopoly over its products.) We’re all still waiting for that capitulation: Macmillan’s books still weren’t available on Amazon on Monday evening.

If Macmillan does indeed prevail, the economics of authorship in the digital age are likely to improve considerably. We may go through some rough stretches to get there, however.

You’ll be hearing more from us on this matter soon.

Robert J. Sawyer online:
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eBook pricing

by Rob - February 1st, 2010

Scott Westerfeld says it well in his blog:

All discussions of [the Amazon/Macmillan war] will draw commenters who think they magically know how books should be priced, and who say there is no reason for electronic editions to be more than $9.99. A quick note to them: You don’t know what you’re talking about. Seriously, your back-of-the-envelope calculations are crap. The printing costs of a book are generally between 3% and 10% of list price. So in most cases, 10% should be your “first-printing” e-book discount, not 50%. That may seem weird to you, but that’s because all the cheap stuff on the internet is backlist (like Baen Books), subsidized/coerced (like Amazon), self-published (no editing or marketing costs), or promotional.

Robert J. Sawyer online:
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"Identity Theft" novella available as audibook

by Rob - January 31st, 2010


“Identity Theft” — my Hugo and Nebula Award-nominated / UPC Award-winning hard-boiled detective novella set on Mars — is now available as downloadable audiobook from the good folks at Audible.com — with physical media coming soon, too.

Publisher is Blackstone Audio, and narrator is Anthony Heald (pictured). “Identity Theft” is about 25,000 words long, or one-quarter the length of one of my novels; the audibook runs about two and half hours.

A motion-picture version of “Identity Theft” is in the works from Snoot Entertainment in Los Angeles.

Robert J. Sawyer online:
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M&M’s and attention to detail

by Rob - January 31st, 2010

The rock band Van Halen used to insist that there be no brown M&M’s in the bowls of M&M’s backstage. They weren’t just making outrageous demands to wield power, but they wanted to insure a level of attention to detail by the people behind the scenes, so that nothing actually important would get overlooked.

Just sayin’ for me it’s always a red flag when some group or other wants me for something, then can’t even get my byline right, dropping the initial as if it didn’t matter. It always means other details are being sloppily attended to, as well.

Sigh.

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Yay for the American Heritage English Dictionary

by Rob - January 31st, 2010

One of the reasons I love The American Heritage English Dictionary, Unabridged, is the extensive notes on word origins. This is from the entry on “Wednesday.”

We say the names of the days of the week constantly, but for most of us they are nonsense syllables.

The seven-day system we use is based on the ancient astrological notion that the seven celestial bodies (the sun, the moon, Mars, Mercury, Jupiter, Venus, and Saturn) revolving around stationary Earth influence what happens on it and that each of these celestial bodies controls the first hour of the day named after it.

This system was brought into Hellenistic Egypt from Mesopotamia, where astrology had been practiced for millenniums and where seven had always been a propitious number.

In A.D. 321 the Emperor Constantine the Great grafted this astrological system onto the Roman calendar, made the first day of this new week a day of rest and worship for all, and imposed the following sequence and names to the days of the week: DiEEs SOHlis, “Sun’s Day”; DiEEs Lunae, “Moon’s Day”; DiEEs Martis, “Mars’s Day”; DiEEs MercuriI, “Mercury’s Day”; DiEEs Iovis, “Jove’s Day” or “Jupiter’s Day”; DiEEs Veneris, “Venus’s Day”; and DiEEs SaturnI, “Saturn’s Day.”

This new Roman system was adopted with modifications throughout most of western Europe: in the Germanic languages, such as Old English, the names of four of the Roman gods were converted into those of the corresponding Germanic gods.

Therefore in Old English we have the following names (with their Modern English developments): Sunnandaeg, Sunday; MOHnandaeg, Monday; TIwesdaeg, Tuesday (the god Tiu, like Mars, was a god of war); WOHdnesdaeg, Wednesday (the god Woden, like Mercury, was quick and eloquent); Thunresdaeg, Thursday (the god Thunor in Old English or Thor in Old Norse, like Jupiter, was lord of the sky; Old Norse ThOHrsdagr influenced the English form); FrIgedaeg, Friday (the goddess Frigg, like Venus, was the goddess of love); and Saeternesdaeg, Saturday.

Now you know. :)

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Amazon.com no longer carrying Tor Books

by Rob - January 30th, 2010

Holy crap! See this coverage from The New York Times.

Tor is the publisher of the current North American editions of my novels Golden Fleece, Far-Seer, Fossil Hunter, Foreigner, End of an Era, Frameshift, Factoring Humanity, FlashForward, Calculating God, Hominids, Humans, Hybrids, Mindscan, and Rollback, all of which are still in print.

This really, really sucks. I’m not pointing any fingers here (as Patrick Nielsen Hayden, the director of SF&F Publishing for Tor has said, “Tor is part of Macmillan, but I have no more idea what’s actually going on than you do. And yes, I’m not thrilled with that fact”), but it is an awful state of affairs.

Update: Letter from Macmillan’s CEO.

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Once again, folks: do not self-publish your science-fiction novel

by Rob - January 28th, 2010

An email I received today:

I wondered if I could pick your brain. Firstly, I am about to self-publish a book I have written and wondered what format I should choose, size, paper weight, etc. for a Science Fiction book. I have read about them being about 100,000 words and 288 pages in a 8-1/2″ x 5-1/2 or 5-1/4 size however, my first is closer to 150,000 words. I also plan to launch it as an e-book once I have figured out what to do about cover art. Do you have some suggestions or have you always used publishers?

I think I need to publish my first on my own and if the publishers come knocking after that, I will take a look. Because I am retired, I cannot put out feelers to publishers for the next ten years hoping to get something off the ground. I am a later in life writer when it comes to books and I have some fifteen in different genres to launch so I have to get things started.

Any input you would be kind enough to give me would be greatly appreciated.

My reply:

My advice: DO NOT self-publish, full-stop. Self-publishing does NOT work for science-fiction novels. You would be throwing your money away.

Seriously: if you want advice on the questions you’re asking, find someone who has successfully gone the self-publishing route with an SF novel, and ask him or her. The point is: no such person exists, and so you won’t be able to find him or her.

Don’t do this.

Update: And, of course, my post above generated the usual round of idiocy, to which I have replied thus:

I never said this would “never” work in the future, Charlie Jane Anders. You are wrong to say that I did. I said that the person thinking RIGHT NOW of self-publishing a science-fiction novel should point to the actual current successful examples of others doing that before he opens his or her checkbook. For Pete’s sake, I was talking in print about the “post-publisher economy” back in 1998.

As for Anne Gilbert, EVERYONE knows that publishing is in a fluctuating state. The question was whether self-publishing a science-fiction novel right now was likely to succeed. It isn’t.

You know, you guys who say “Oh, go ahead and do it — spend your money that way; it’s a GOOD idea!” never seem to be around when the poor sap ends up heartbroken at the end with a book that no one has read.

Another Update: The very savvy Kirstin Morrell, former small-press managing editor, has posted a wise rebuttal to Anne Gilbert, which I’m reprinting here:

First, be careful. Don’t conflate “self-publishing” with “e-publishing” and “independent publishing” (or the one you didn’t mention, “small-press publishing”). Sawyer is a huge proponent of the e-book revolution. He’s the one who introduced me to e-books and he owns literally hundreds of bought and paid for e-books.

And he’s been a tireless supporter of the small press. Ask the people of Edge Press or Red Deer Press or Bundoran Press.

And actually, he does not say that you can’t find an SF writer who has self-published, just that you can’t find an SF author who has self-published and was successful.

Now, let’s define success. To me, it would be someone who makes a full-time living from writing SF novels, novellas, and/or short stories, without living below the poverty line. That’s success as I would define it. And I don’t know one SF author who self-publishes who would meet my criteria for success.

Maybe if you were to set your sights sufficiently low, you might be able to be “successful” by going that route. Just lower the bar until you can get over it. But is that really success?

He doesn’t say that this might not be a valid way of going in the future. He said what he said, which is that a successful, self-published SF writer does not exist.

Yes, Mr. Sawyer is completely aware of all the arguments you’ve made. He mentors many beginning writers and many of his students have gone on to real, money-in-the-bank publishing experiences.

Sawyer’s not going to end up with a red face. His statements, as he made them, are all factually true. You act as if you don’t know that he’s part of the push to make e-book publishing mainstream. If you don’t, read his site or his blog a bit more.

So it’s almost like you’re boxing with shadows. You’re refuting arguments he never made by characterizing his argument as something that it is not, then saying he’ll be embarrassed when what he never said becomes untrue. Very strange.

So let’s talk about his actual argument. Let’s talk about successful, self-published SF authors, people who actually make a living from their self-published books. Name a few and let’s talk about them.

Robert J. Sawyer online:
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Kindle vs. iPad

by Rob - January 28th, 2010

So different: e-ink vs. backlit LED; dedicated ebook reader vs. multipurpose device. Not sure which one I want — may have to get both! :D

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A great article about ebooks

by Rob - January 26th, 2010

I’ve been trying to find time to write a tirade about the quality failure of most ebook editions (recent travesties in books I’ve bought from commercial publishers: the entire book being centered in one, no indenting or blank space between paragraphs in another)

But it doesn’t have to be that blatant to still result in an unsatisfying experience. Publishers and ebook retailers: read this article by Kassia Krozser. It explains why so many serious book readers just walk away from the disappointing experience they have with ebooks. They may not be able to articulate what they don’t like, but Kassia Krozser does a great job of explaining what’s wrong.

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United Nations Secretary-General Stephen Lewis

by Rob - January 24th, 2010


I received an email today from a person in South Korea who had just read FlashForward, my novel which is the basis for the ABC TV series of the same name, pointing out that I use the names of many real people in the novel, but for some reason changed the name of the UN Secretary-General from the real 2009 incumbent, Ban ki-moon (“a hero in Korea”), to Stephen Lewis, a name she took to be fictitious; she expressed fear that this would offend Korean readers.

My response:

Many thanks for your kind words. Please note that I wrote the novel FlashForward in 1998 (and it was published in 1999); at that time Kofi Annan was Secretary-General of the United Nations, having assumed office in 1997.

Since no Secretary-General has ever served more than two five-year terms, it was clear Annan would no longer be holding that role in 2009, when the novel was set, and, lacking a flashforward of my own, I had no way of knowing that Ban Ki-moon would become Secretary General in January 2007 — and so I proposed a likely candidate.

Stephen Lewis, the person I named as Secretary-General in FlashForward, is a real person, and just as Ban is a hero to many South Koreans, Lewis is a hero to many of my fellow Canadians.

Lewis was a distinguished Canadian politician (leader of the Ontario New Democratic Party from 1970-1978), was Canada’s ambassador to the United Nations (1984-1988), and was deputy director of UNICEF (1995-1999). From 2001 to 2006 he was United Nations Special Envoy for AIDS/HIV in Africa. His name has been suggested repeatedly for the Nobel Peace Prize.

I invite you to read more about him and his work.

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Conquest of the Planet of the Apes remake

by Rob - January 23rd, 2010

My friend David Widdicombe sent me this link. Pant-hoot!

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R.I.P, Paul Quarrington

by Rob - January 22nd, 2010

Great writer, great person. A real loss.

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SF novels that should be taught in schools

by Rob - January 21st, 2010


SF Signal asked a bunch of experts for recommendations for science fiction books to be taught in schools. To my delight, Jack McDevitt recommended Wake and Prof. Paul Levinson recommended Rollback.

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Student video interview

by Rob - January 21st, 2010

Last month, some high-school students (and the mother of one of them) dropped by my home to interview me for a class assignment (they were studying my novels FlashForward and Humans), and they’ve put two videos of that interview up on YouTube:

Part One (8 minutes)
Part Two (7 minutes)

(The sun is setting outside my penthouse windows as the interview goes on … and the image gets darker and darker.)

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Suppose Earth had Saturn’s rings

by Rob - January 21st, 2010

A really nice video.

Thanks to Arwen Rosenbaum for the link!

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Amazon’s 70% royalty

by Rob - January 20th, 2010

Sounds pretty good — but note that Tor (well, its parent corporation, but Tor has to toe the line) recently cut ebook royalties paid to author to 20% of net proceeds. Which frankly sucks.

So, for a $9.99 eBook sold on the Kindle under this new scheme:

Tor’s share: $5.60
Amazon’s share: $3.00
Author’s share: $1.40

Other publishers are offering 25% of net as royalties, so:

Publisher’s share: $5.25
Amazon’s share: $3.00
Author’s share: $1.75

Of course, those figures ignore Amazon’s deduction for “electronic delivery costs,” whatever that amount might be. You think Whispernet is free? It isn’t; it’s paid for by the publisher and author when you buy a Kindle eBook.

And the above assumes that the publisher doesn’t farm out its ebook-making to third parties (Tor does), further reducing the claimed net proceeds, and thus further cutting the author’s income.

As we transition ultimately to ebooks, is it really true in a world of no shipping to bookstores, no warehousing, no physical product at all, that the lion’s share should still go to the print publisher? Yes, it’s probably fair now, but it won’t be forever.

Ah, but the publishers cry, we pay advances to authors! True, true, but many publishers have cut their average advances, and I have friends — names you’d all know, Hugo winners included — who have not seen their advances rise in over a decade, despite always earning them out.

Okay, many authors need advances to write books. But it’d be interesting to see for authors with a track record (those who could actually get a bank loan), how the numbers would crunch comparing simply getting a bank loan equal in size to the advance they’re now receiving, using a portion of that to hire a freelance editor for the novel (going rate is roughly $3,000, give or take), and then pay back the loan with interest from the proceeds of the sale of the ebooks? How much further ahead would an already established author come out?

(And, of course, if you didn’t need the advance up front, just cut out all that stuff about the loan.)

And, no, I’m not advocating self-publishing, and especially not for beginning authors (although imagine how well an ad hoc collective of Hugo and Nebula winners and nominees could do with their own electronic imprint); the best way to sell your new book is to have an established audience from your previous ones. But we do live in interesting times.

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Toro interviews RJS

by Rob - January 19th, 2010


“Unlike James Cameron, Sawyer seems to believe in the positive possibility of artificial intelligence, but that was just one of the subjects we touched on in this very involved conversation.”

Check out the full interview.

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30th anniversary of my first sale

by Rob - January 19th, 2010


Thirty years ago today — Friday, January 18, 1980 — I made my first writing sale, launching my career as a professional science-fiction writer. All the details about that first sale are here.

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Review of Steel Whispers

by Rob - January 18th, 2010


… a novel by my gifted writing student Hayden Trenholm. See the review here.

Steel Whispers is published by Bundoran Press, and is eligible for the Aurora Award.

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Peter Anthony Holder on FlashForward

by Rob - January 18th, 2010


Peter Anthony Holder, a famed Montreal broadcaster and blogger, just sent me this wonderful email about my novel FlashForward, which is the basis for the ABC TV series of the same name, and, with his kind permission, I’m posting it here:

As I mentioned to you I decided that it was high time that I read FlashForward. Needless to say, it was fantastic!

I was halfway through the book yesterday (Saturday) when it just grabbed my by the throat and I couldn’t put it down. I paused briefly for a late dinner, did a little bit of work and later stopped to watch Saturday Night Live. It was my intent at 1am to read a couple more chapters for about an hour or so and head off to bed.

The end result was I just stayed up all night and sometime around 6am I finally got to the last page. WOW. WHAT A RIDE!

I am so glad I decided to read the book before the return of the television show in the spring and I am going to urge any and everyone who is a fan of the show to grab the book NOW and enjoy it!

It’s not often when reading a novel, that I pause briefly to think about my own existence, but FlashForward is a book that actually makes you do that. WHAT A READ! WHAT A READ!

I was thinking of saying “congratulations” on the success of FlashForward but that seems like a hollow word here. The book has been successful for a decade and is now a hit television series, so some sort of validation from me is pointless.

So what I will say is “thank you.” Thank you for allowing me to see the future through your eyes, enjoy a good read and even think about my future, past and present in the process.

Everybody should read FlashForward and I will now go out and tell them so!

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Going offline to work on my FlashForward script

by Rob - January 15th, 2010


You won’t be hearing much from me here for the next little while. I’m going into heads-down mode to work on my script for FlashForward. I’m writing the 19th episode, scheduled to air Thursday, May 6, 2010. Ciao!

Photo: Robert J. Sawyer and FlashForward showrunner David S. Goyer

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Keith Olbermann on Rush Limbaugh and Pat Robinson

by Rob - January 15th, 2010

Testify, Keith! Keith Olbermann clip.

Amen, brother.

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Hominids got legs!

by Rob - January 15th, 2010


Tor was going to put my 2002 Hugo Award-winning novel Hominids into trade (large-format) paperback this year, which is the format to which they retire older books that had been in mass-market but aren’t selling as briskly as they once were. But I just got this email from my editor, David G. Hartwell (“mm” is mass-market paperback):

Due to the continued notable success of Hominids in mm paperback, we have not yet scheduled it in trade paper. The sales are too good to pass up in this market.

Go, Ponter, go!

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